Dream Man
|
A Robert Vince Production
Patsy Kensit
Bruce Greenwood
Andrew McCarthy
Jim Byrnes
Cameron Bancroft
John Cassini
Jay Brazeau
and
Armin Shimerman
as "Van Horn"
| Casting by | Abra Edelman and Elisa Goodman, C.S.A. |
| Associate Producer | Martin Kaplan |
| Associate Producer | Andrew Diane |
| Music Composed by | Graeme Coleman |
| Production Designer | John Dontertman |
| Editor | Ron Yoshida |
| Director of Photography | Tobias Schliessler |
| Written by | Michael Alexander Miller |
| Produced by | Robert Vince and William Vince |
| Directed by | Rene Bonniere |
| Kris Anderson - Patsy Kensit |
| Tom - Bruce Greenwood |
| David Mander - Andrew McCarthy |
| Barbara - Denise Crosby |
| D.A. Van Horn - Armin Skimerman |
| Jim Garrity "The Loot" - Jim Byrnes |
| Sargeant Abe Foreman - Jay Brazeau |
| George Mancuso - John Cassini |
| Janice Reynolds - Dawn Pendleburt |
| Aaron Wingate - L. Harvey Gold |
| Sarah Reynolds - Colleen Rennison |
| Robert Reynolds - Cameron Bancroft |
| Caroline Reynolds - Lisa Bunting |
| Ballet Mistress - Megan Blake |
| K9 Cop - Brian Doctor |
| Man (Mugshot) - Mike Mitchell |
| Judge Hoffs - Judith Maxie |
| Executive in charge of Production | Susy Beugen |
| Production Executive | Ellen Endo-Dzon |
| Post Production Supervisor | Randall Tano |
| Post Supervisor (Vancouver) | Greg Malcolm |
| Second Unit Director | Scott J. Ateah |
| 1st Assistant Director | Kelsey T. Howard |
| 2nd Assistant Director | Matthew James Almond' |
| Unit Manager | Greg Malcolm |
| Location Manager | Ritch Renaud |
| Republic Pictures Coordinator | Darren Pearce |
| Production Coordinator | R. Marty Lewis |
| Canadian Casting | Lana Klassen |
| Extras Casting | Audrey Skalbama |
| Location Sound Mixer | Michael McGee |
| Boom Operator | Charles O'Shea |
| Main Unit Operator | Jon Joffin |
| 1st Assistant Camera | Patrick Stephen |
| 2nd Assistant Camera | Brian Johnson |
| 1st Asst. Camera 2nd Unit | James Clare |
| 1st Asst. Camera 2nd Unit | Dale H. Jahraus |
| Camera Trainee | Christopher Dyson |
| Gaffer | Paul Slatter |
| Best Boy Electric | Owen Taylor |
| Generator Operators | Paul Bougie George K. Campbell |
| Lamp Operators | Stephen (Stevo) Knaliff Yves Bernadet Kevin O'Leary Cliff Gladden |
| Key Grip | David Cameron |
| Best Boy Grip | Ryan Monro |
| Dolly Grip | Glen Hawkins |
| Grips | Drew David Kiernan Humphries Paul T. Murakami Johnny Walker T. J. Armengol Brent Ballard |
| Script Supervisor | Jean Christopher |
| Stunt Coordinator | Scott J. Ateah |
| SPFX Coordinator | Andrew Chamberlayne |
| SPFX Assistant | Robert Martin Luther Carter |
| Art Director | Elizabeth Patrick |
| Set Decorator | Steven Gerhart Rinaldo |
| Set Dressers | Steph Watts Robert Walshaw |
| On Set Dresser | David Grandy |
| Property Master | Clive Edwards |
| Assistant Property Master | Jason Landels |
| Set Construction | Silver Mountain Productions Inc. |
| Costume Designer | Druh Ireland |
| Costume Supervisor | Karen Nosella |
| Costumers | Steven Vincent Holloway Cheryl Carvedi |
| Hair Stylist | Sanna Seppanen |
| Make Up Artist | Judy Murdock |
| Assistant Hair and Make Up | Gina Hole |
| Additional Hair | Marisa Cappellaro Dan Nguyen Peppa Witteveen |
| Production Accountant | Kathleen Archer Buck |
| Assistant Production Accountant | Julia Leiterman |
| Post Production Accountant | D. Michael Potions |
| Assistant Locations | Peter Pantages |
| Location Scouts | Wendy Newton Carrie Wallis Rod Gallant |
| Transport Coordinator | Paul Talbot |
| Co-Captain/Cast Driver | Paul Irvine |
| Cast Driver | Janet Dingman |
| Drivers | Marc Voison William G. Crivello Hans A. Kutschera Torina Wilson Dave Fisher Charlie Brown |
| Catering | Imaginative Film Food |
| Chef | Tracey Bruusgaard |
| Chef | Janet Arnet |
| Craft Services | Nicky Walshaw |
| Security Coordinator | Gerry Baker |
| Third Assistant Director | Kelly Bremmer |
| 2nd Third Assistant Director | David Klohn |
| Trainee Assistant Director | Monica Mulloy |
| Post Production Assistants | Rob Watson William Gordon James Fonnyadt |
| Art Department Assistant | Charles lHart Rivard |
| Assistant Production Coordinator | Janet McLeish |
| Picture/Sound Editing | Western Post Production Inc. |
| Assistant Picture Editors | Kerry Uchida Sophie Hotte |
| Score arranged, composed and produced by Graeme Coleman | |
| Score recorded at GCM Studio | |
| Score engineered by Pat Glover | |
| Sound Supervisor | Hal Beckett |
| SFX Editor | Marc Benoit |
| Dialogue Editor | Hal Beckett |
| Background Editor | Marc Benoit |
| Dailies Synching | Bill (Suds) Mellow |
| Re-recording Mixers | Paul A. Sharpe Bill "Otis" Sheppard Dean Giammarco |
| Foley Walkers | Boardwalk Foley |
| Foley Recordist | Bill (Suds) Mellow |
| Foley Recordist | Sina Orcomchi |
| Assistant Foley Recordist | Shari Fieldhouse |
| Group Walls | John Pantages and the Backgrounds |
| ADR Recordist | Don Painchaud |
| Re-recorded at Sharpe Sound Studios | |
| Unit Publicist | Jennifer Freeland |
| Stills Photographer | Kharen Hill |
| Andrew McCarthy's Stand-In | Kyle Riefsnyder |
| Patsy Kensit's Stand-In | Tanya Dargel |
| Opticals | Cinematte Bob Dohrendorf |
| Tail Credits | All Sens Animation Tom Brydon |
| Trjes Design | Judy Mah |
| Laboratory Alpha One Services | Bryn Dix |
| Film Transfer | Post Haste Video Jon Robertson |
| Cameras Supplied by Clairmont Camera | |
| Ultra Stero Consultants | Daniel W. Victor, Jr. Brian Slack |
| Filmed on AGFA Film | Brant Handel |
| Timer | Dave Armstrong |
| Negative Cutter | Bert Bush |
| Insurance Brokers | Johnson and Higgins of California |
| Completion Bond by Motion Picture Guarantors LTD. | |
| The Producers wish to thank | |
| City of Vancouver, City of North Vancouver The Hollies House, Tom Lewis Point Grey Community Center, Bill Evers Vancouver Art Gallery, Adolf Skog. Sheilds Ramji Silver Jewelry probided by Kane Boutry, Vancouver Canada, The Precidio Apartments Mark Greenwood and Dalphin World Travel Joan Paton and M&G Projects Barbara Hill and the Pacific Pallisades Hotel and The Royal Bank of Canada John Genzel and Zeta Reid |
The names, characters and firms depicted in this motion picture are ficitious. Any similarity to actual persons, living or dead, or to actual firms is purely coincedental. This motion picture is protected under the laws of the United States and other countries. Its unauthorized duplication, distribution or exhibition may result in civil liabilities and criminal prosecution.This motion picture was first published in the United States of America. Dream Man Productions Inc. is the author of this motion picture for the purpose of Article 15 (2) of the Borne Connection and all rational laws may effect thereto.
Copyright 1994 Dream Man Productions Inc. in trust
All rights reserved
Recorded in Ultra-Stero